Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship Attention! Advance registration is required. Book the appointment here: www.cocompany.co  >

Final works of MA Solo/Dance/Authorship

Final works of MA Solo/Dance/Authorship Attention! Advance registration is required. Book the appointment here: www.cocompany.co  >

Final works of MA Solo/Dance/Authorship + After Party with DJ marum

Final works of MA Solo/Dance/Authorship

Reindeer Age investigates what enchants us today.

Reindeer Age investigates what enchants us today.

The 2019/20 MA SODA graduate publication launch at HZT!

A duet ritual between skin and language.

My spirit desired a body, so it chose me.

A duet ritual between skin and language.

My spirit desired a body, so it chose me.

A work that uses sonic frequencies created by guitar that allow for compositional structures and atmospheric states to arrive.  >

Questioning the spatial and temporal location and (dis)orientation of the body, the choreography parallels cartographic and cognitive processes.  >

A work that uses sonic frequencies created by guitar that allow for compositional structures and atmospheric states to arrive.  >

Questioning the spatial and temporal location and (dis)orientation of the body, the choreography parallels cartographic and cognitive processes.  >

Decomposing the structure of flamenco in order to transform it within the field of performance art.

A self-shifter, Minna Partanen pushes the limits of technology from hardware to winter-wear.

Decomposing the structure of flamenco in order to transform it within the field of performance art.

A self-shifter, Minna Partanen pushes the limits of technology from hardware to winter-wear.

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

A choreographic journey into the collective imaginary

An invitation to consider what would it mean to live today with the consciousness that this life is all that we have.  >

This piece incites intimate encounters in a tangled web of bodies, interlacing the strange with the familiar.

This piece incites intimate encounters in a tangled web of bodies, interlacing the strange with the familiar.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Questioning different ways of hosting dance and its presence within the public in mind at the time of a pandemic.

Collection of dances from a study on "touch" as metaphor.

Collection of dances from a study on "touch" as metaphor.

Collection of dances from a study on "touch" as metaphor.

Embodiment of two archetypes: Character dancer and mariachi.

Why deception, deceit, flattery are so inevitable.

Embodiment of two archetypes: Character dancer and mariachi.

Why deception, deceit, flattery are so inevitable.

Locating the voice of the space and realign its relationships.

Gait recognition systems as biometrical possibilities + pitfalls.

Locating the voice of the space and realign its relationships.

Locating the voice of the space and realign its relationships.

Locating the voice of the space and realign its relationships.

Gait recognition systems as biometrical possibilities + pitfalls.

We are lost in space. We are all at sea. We are in this together.

We are lost in space. We are all at sea. We are in this together.

We are lost in space. We are all at sea. We are in this together.

A critical and feminist examination of the idea of possessing one’s own body in relation to precarity.

Artists with different backgrounds exchange their works of art, exploring the diverse relationships that emerge.

A performance of Black gender play, with suits and the performer’s body as its primary materials, In flux is an expression of a desire to become >

Artists with different backgrounds exchange their works of art, exploring the diverse relationships that emerge.

A performance of Black gender play, with suits and the performer’s body as its primary materials, In flux is an expression of a desire to become >

This body-based investigation aims to s(t)imulate the emergence of the Ang-ish Thing(s) as a parasitic being between cuteness and the monstrosity behind >

This body-based investigation aims to s(t)imulate the emergence of the Ang-ish Thing(s) as a parasitic being between cuteness and the monstrosity behind >

a childhood picture an imagined choreography a play on nostalgia an impossible translation a place between tenderness and sorrow a question of how and >

The performer is an assistant director. He is tasked with piecing together a revival of Peter Maxwell Davies’ music-theatre work Resurrection (1987).  >

The performer is an assistant director. He is tasked with piecing together a revival of Peter Maxwell Davies’ music-theatre work Resurrection (1987).  >

a childhood picture an imagined choreography a play on nostalgia an impossible translation a place between tenderness and sorrow a question of how and >

A concertformat for jump rope, (expanded) percussion, modular synthesizer.

From mid-November to mid-December 2024 six graduates of the MA SODA will present their current research projects to the public.  >

In this sensorial and multi-layered performance, Colleen Ndemeh invites audiences to do the work of confronting, remembering, and cracking open — hard >

In this sensorial and multi-layered performance, Colleen Ndemeh invites audiences to do the work of confronting, remembering, and cracking open — hard >

RAPEFLOWER is a story of rape understood as a psycho-somatic state, a movement practice of an object that is becoming a subject.  >

RAPEFLOWER is a story of rape understood as a psycho-somatic state, a movement practice of an object that is becoming a subject.  >

Miri Né Sori translates to “Milky Way sound” in Korean. In the Pan-asian myth “The Cowherd and the Weaver”, appear two lovers who are separated by the >

Miri Né Sori translates to “Milky Way sound” in Korean. In the Pan-asian myth “The Cowherd and the Weaver”, appear two lovers who are separated by the >

Is there a “common ground" where we can meet? Is it the breathing body or other vital bodily processes that tie us to the continuous flow of exchange with >

Is there a “common ground" where we can meet? Is it the breathing body or other vital bodily processes that tie us to the continuous flow of exchange with >

What can be told when the body is not danced, undressed, or enjoyed in a story?

What can be told when the body is not danced, undressed, or enjoyed in a story?

I didn't know how long it would take. Our shared kitchen. April 12th, 2020

I didn't know how long it would take. Our shared kitchen. April 12th, 2020

I am learning words I do not know in my own mother tongue, which I call the uncharted.

I am learning words I do not know in my own mother tongue, which I call the uncharted.

A dodgy studio and someone in an antiquated suit about to present something. Can this begin well?

A dodgy studio and someone in an antiquated suit about to present something. Can this begin well?

'To Critter' is an eco-sensual invitation to transcend the boundaries of the human self, to connect with what lies beyond the skin. To be and become—with >

'To Critter' is an eco-sensual invitation to transcend the boundaries of the human self, to connect with what lies beyond the skin. To be and become—with >

'The Insisting Body' is a chorography of violence: mapping Berlin’s sites through lunar time, repetition, and presence, the body insists against erasure >

'The Insisting Body' is a chorography of violence: mapping Berlin’s sites through lunar time, repetition, and presence, the body insists against erasure >

This is a (dance) about a girl named Lucky. Dancing as labour, blue-collar glitter, the body both tool and resource.  >

This is a (dance) about a girl named Lucky. Dancing as labour, blue-collar glitter, the body both tool and resource.  >

An encounter between the Uferstudios and a war-zone thousands kilometers away, inviting collective reflection on the fragile border between war and peace.  >

An encounter between the Uferstudios and a war-zone thousands kilometers away, inviting collective reflection on the fragile border between war and peace.  >

An encounter between the Uferstudios and a war-zone thousands kilometers away, inviting collective reflection on the fragile border between war and peace.  >

An encounter between the Uferstudios and a war-zone thousands kilometers away, inviting collective reflection on the fragile border between war and peace.  >