MA Choreography (maC)
Master of Arts
All further information and the application documents can be found here.
The two-year Master's programme in Choreography (maC) offers students the space to develop and deepen their own artistic practice. The degree programme understands questions of participation, cooperation and social responsibility as central to contemporary choreography and promotes an active dialogue on socio-political issues with the means of choreography.
In dealing with the visions, works and working methods of other artists, students question their own choreographic strategies and their own understanding of choreography. They reflect on their practice, further develop their artistic point of view and learn to convey their aesthetic approach.
Students regularly develop projects in cooperation with klangzeitort, the Institute for New Music Berlin, the Biennale Land(schafft)Kunst in Neuwerder, the Potsdam Tanztage and various other dance training programmes of Berlin.
[Translate to English:]
Modul 1: Körper- und Bewegungsrecherche
Dieses Modul ermöglicht durch die Integration von somatischen Praxen und Theorien der Verkörperung ein vertiefendes Wissen über den Körper (als Konzept und als Physis). Der Körper wird dadurch Instrument der Wissensproduktion, d.h. der Produktion von Wissen durch den Körper. Auf dieser Basis werden durch Studiopraxis Strategien der Bewegungsfindung geschaffen.
Modul 2: Modelle künstlerischer Zusammenarbeit
Gegenstand des Moduls ist die Zusammenarbeit im choreographischen Arbeitsprozess. Der Fokus liegt besonders auf der Zusammenarbeit zwischen Tänzerinnen und Tänzern und Choreographinnen und Choreographen. Die Studierenden lernen unterschiedliche Formen der Zusammenarbeit kennen, erproben und reflektieren sie. Zudem lernen sie das entsprechende Fachvokabular und Grundkenntnisse, um über Video, Audio und Licht zu kommunizieren. + interdisziplinäre Zusammenarbeit
Modul 3: Komposition und dramaturgische Praxis
Das Modul erprobt und reflektiert Methoden und Strategien zwischen Improvisation und Komposition für kreative Prozesse. Es untersucht das Verhältnis von Idee und choreographischer Arbeit.
Modul 4: Kontextualisierung choreographischer Praxis
Das Modell fokussiert sowohl auf historische als auch zeitgenössische Kontexte choreographischer Praxis in Kunst, ästhetischem Diskurs und Gesellschaft.
Modul 5: Bedingungen der Produktion
In diesem Modul setzen sich die Studierenden mit den Bedingungen choreographischen Produzierens auseinander und erlernen Fähigkeiten, um die Rahmenbedingungen für ihre choreographischen Arbeiten gestalten und Arbeitsmöglichkeiten schaffen zu können.
Modul 6: Choreographische Projekte
Das Modul erprobt und reflektiert alle Arbeitsschritte eines choreographischen Projekts, beginnend von der Projektidee bis hin zur Aufführung.
Das Modul bietet dazu die Möglichkeit, die eigene choreographische Praxis der Studierenden als Forschung zu betrachten und über Modalitäten künstlerischer Praxis anhand der eigenen Arbeit zu reflektieren.
Modul 7: Masterprojekt
Die Studierenden konzipieren, erarbeiten und präsentieren ein choreographisches Projekt und dokumentieren und reflektieren sowohl Prozess als auch Ergebnis bzw. reflektieren ein mit der praktischen Arbeit in Verbindung stehendes Thema.
Admission requirements
- Bachelor's degree or equivalent degree at a university, college of applied sciences and arts or art colleges in Germany or foreign countries, or rather skills and competences acquired in the context of a professional qualification, typically equivalent to those acquired in a university education
- special artistic talent which, in addition to choreographic talent, shows well-founded dance skills,
- presentation of own choreographic works in a public performance context,
- knowledge of the German language, so that it is possible to follow the lessons, understand texts and compose oneself (min. level B2 according to GER).
- All further information and the application documents can be found on the site of the Hochschule für Schauspielkunst Ernst Busch.
Traces
Alumni Portraits
Calendar
1st study year maC
SOLI
© Martina ThalhoferFirtst solo works by the MA Choreograpy (maC).
1st study year maC
SOLI
© Martina ThalhoferFirtst solo works by the MA Choreograpy (maC).
A human and a teddy bear seek each other. They move to find similarities, comfort, maybe even love.
Limits, turning points, consequences, commitment.
A human and a teddy bear seek each other. They move to find similarities, comfort, maybe even love.
and nothing stays as it is - only you The play invites us to meet the unknown, to confront something so we experience ourselves. >
Oscillate is a silent melodic piece of the fluctuating human mind, where bliss and melancholy overlap.
If a tree falls in the forest and no one is around to hear it, does it still make a sound? If a performance happens and no one sees it, is it still a >
If a tree falls in the forest and no one is around to hear it, does it still make a sound? If a performance happens and no one sees it, is it still a >
I rise and shine Climb and dive like there ain't no tomorrow ain't no tomorrow
and nothing stays as it is - only you The play invites us to meet the unknown, to confront something so we experience ourselves. >
Kaisa Nieminen
Come rain, come shine
Transformation through movement, voice, text and imagination.
Kaisa Nieminen
Come rain, come shine
Transformation through movement, voice, text and imagination.
Dina Sennhauser
PerForma
Limits, turning points, consequences, commitment
Maria Rutanen
Oscillate
© Liina KuittinenAn investigation of how the movement of contraction and expansion takes place.
Dina Sennhauser
PerForma
Limits, turning points, consequences, commitment
Maria Rutanen
Oscillate
© Liina KuittinenAn investigation of how the movement of contraction and expansion takes place.
Jasminka Stenz
REMEMBER WHY
© Diethild MeierA dance performance about Xenophilie __ Xenophobie
Jasminka Stenz
REMEMBER WHY
© Diethild MeierA dance performance about Xenophilie __ Xenophobie
MA Choreography
Choreographic Interventions in the rural area
© L. SerusetA Fontane-Exploration of the rural areas in Neuwerder...
LOAF
The Lonely Organized Arts Festival
© Camila MalenchiniCurated by the BAs and MAs of HZT
LOAF
The Lonely Organized Arts Festival
© Camila MalenchiniCurated by the BAs and MAs of HZT
LOAF
The Lonely Organized Arts Festival
© Camila MalenchiniCurated by the BAs and MAs of HZT
MA Choreography
777
© Astrid AckermannA cooperation between HZT Berlin and klangzeitort.
MA Choreography
777
© Astrid AckermannA cooperation between HZT Berlin and klangzeitort.
MA Choreography
777
© Astrid AckermannA cooperation of HZT Berlin and klangzeitort.
MA Choreography
777
© Astrid AckermannA cooperation of HZT Berlin and klangzeitort.
#neustartklima
Dancing for Future
© Hannah KriesmairKeep your body alive, keep the dance floor alive, keep the earth alive!
A participatory Performance in public space
The Permeable Touch Projekt
© Rainer Landau DahlhausTouch is a gesture of offering, receiving, communicating. Touch is a tool for acknowledgment and recognition. Touch is a playful tool to meet and >
Ein Eintauchen in Praktiken zeitgenössischer Kunst
Aquarium
© [Translate to English:] Alica MinarovaA dive into practices of contemporary art.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
David Lima
Unsere Insel
© Diogo De Calle“No man is an island, entire of itself; every man is a piece of the continent, a part of the main.” (John Donne, 1624.) >
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
The Heroine dances, my body speaks.
![EXPLOSION [Intern]](/fileadmin/Dokumente/Bilder/7_Veranstaltungen_Kalender/Kalender_2020/EXPLOSION_main_picture_for_web_foto__Vojtech_Brtnicky.jpg "EXPLOSION [Intern]")
Unites bodily energies of anger and humor into fairytale images.
Unites bodily energies of anger and humor into fairytale images.
Orpheus-Festival
NEVER LOOK BACK [Stream]
![NEVER LOOK BACK [Stream]](/fileadmin/_processed_/9/8/csm_Neverlookback_orpheusprojekt_7a32b8bf2f.jpg "NEVER LOOK BACK [Stream]")
© Film Still: Never Look BackAbout eyes, fragmented spaces, transitions & the actuality of the Orpheus myth.
![EXPLOSION [Stream]](/fileadmin/Dokumente/Bilder/7_Veranstaltungen_Kalender/Kalender_2020/EXPLSION_second_picture_for_webfoto__Vojtech_Brtnicky.jpg "EXPLOSION [Stream]")
Unites bodily energies of anger and humor into fairytale images.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
A Dance of silence. A Dance of being and observing.
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Tauche ein in eine Fantasielandschaft, in der vier Kreaturen auf der Suche nach Katharsis sind - in der Gletscher und Clubkultur verschmelzen, sich die >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Tauche ein in eine Fantasielandschaft, in der vier Kreaturen auf der Suche nach Katharsis sind - in der Gletscher und Clubkultur verschmelzen, sich die >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
Money is a tool for exchanging, a power, a belief, a game, a drug and a symbol of capitalism. Spirituality is you, your existence. >
A performance walk for five dancers, ten spectators and a forest.
A performance walk for five dancers, ten spectators and a forest.
A performance walk for five dancers, ten spectators and a forest.
A performance walk for five dancers, ten spectators and a forest.
A performance walk for five dancers, ten spectators and a forest.
A performance walk for five dancers, ten spectators and a forest.
Javier Blanco and Rocio Marano
maC double bill
© [Translate to English:] Anastasia Putsykina / Rocio MaranoBlack Ide and The discourse of the Yawn
Javier Blanco and Rocio Marano
maC double bill
© [Translate to English:] Anastasia Putsykina / Rocio MaranoBlack Ide and The discourse of the Yawn
Javier Blanco and Rocio Marano
maC double bill
© [Translate to English:] Anastasia Putsykina / Rocio MaranoBlack Ide and The discourse of the Yawn
Dan Su and Hannah Schillinger
maC double bill
© [Translate to English:] Dan Su / Hannah SchillingerDark twisted mind and vaccum
Dan Su and Hannah Schillinger
maC double bill
© [Translate to English:] Dan Su / Hannah SchillingerDark twisted mind and vaccum
Dan Su and Hannah Schillinger
maC double bill
© [Translate to English:] Dan Su / Hannah SchillingerDark twisted mind and vaccum
Melika Akbari-asl and Lilly Pöhlmann
maC double bill
© Melika Akbari-asl / Lilly Pöhlmann-36,201‘ [SUbdUCTION ZONE] and Nocturnal: a reflection on sleep
Melika Akbari-asl and Lilly Pöhlmann
maC double bill
© Melika Akbari-asl / Lilly Pöhlmann-36,201‘ [SUbdUCTION ZONE] and Nocturnal: a reflection on sleep
Melika Akbari-asl and Lilly Pöhlmann
maC double bill
© Melika Akbari-asl / Lilly Pöhlmann-36,201‘ [SUbdUCTION ZONE] and Nocturnal: a reflection on sleep
collaboration between klangzeitort and maC
777 Part 1
© [Translate to English:] Connor ShafranInterdisciplinary and collaborative works between contemporary choreography and new music
collaboration between klangzeitort and maC
777 Part 2
© [Translate to English:] Sophie Krabbeinterdisziplinary collaboration between contemporary choreography and new music
collaboration between klangzeitort and maC
777 Part 1
© [Translate to English:] Connor ShafranInterdisciplinary and collaborative works between contemporary choreography and new music
collaboration between klangzeitort and maC
777 Part 2
© [Translate to English:] Sophie Krabbeinterdisziplinary collaboration between contemporary choreography and new music
MATRIA imagines a history free of colonial stories
MATRIA imagines a history free of colonial stories
MATRIA imagines a history free of colonial stories
Gentle Brutality calls for a (r)evolution of the oppressed bodies
Gentle Brutality calls for a (r)evolution of the oppressed bodies
Gentle Brutality calls for a (r)evolution of the oppressed bodies
On this hero's journey, the audience is invited to coexist with their own shadows.
On this hero's journey, the audience is invited to coexist with their own shadows.
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
Potsdamer Tanztage 2022 - Dance in Public Spaces
from site specific to stage work
© [Translate to English:] Mariana Romagnani / Kysy FischerMariana Romagnani: Orbit // Kysy Fischer: otherMess
how can states of exhaustion be transformed in processes of regeneration?
how can states of exhaustion be transformed in processes of regeneration?
From site specific to stage work
© [Translate to English:] Stefanie Alf / Salome Kehlenbach / Leonie BaurLeonie Naomi Baur: pleasure_in_the_breaking // Stefanie Alf: posthuman fragments // Salome Kehlenbach: Within Seconds >
KREISEN deals with the process and the state of exhaustion.
KREISEN deals with the process and the state of exhaustion.
"d!s" stumbles between sleeping and waking
"d!s" stumbles between sleeping and waking
« Work hard, play hard » the frenzy of modern life has obscured the line between playfulness and seriousness.
« Work hard, play hard » the frenzy of modern life has obscured the line between playfulness and seriousness.
a contemporary reflection on the path towards new horizons
a contemporary reflection on the path towards new horizons
© [Translate to English:] Matilde BassettiCrash Landing on Olympus Mons takes the act of landing as a point of departure
© [Translate to English:] Matilde BassettiCrash Landing on Olympus Mons takes the act of landing as a point of departure
cooperation between TANZKOMPLIZEN and HZT Berlin
cooperation between TANZKOMPLIZEN and HZT Berlin
cooperation between TANZKOMPLIZEN and HZT Berlin
Dream of a Common Language brings together a group of people from very different life realities.
Dream of a Common Language brings together a group of people from very different life realities.
Anne Juren
Studies on Fantasmical Anatomies
© [Translate to English:] Anne Juren presents the various forms of representation in her doctoral thesis "Studies on Fantasmical Anatomies".
The performance Playfight invites you to take a new look at our play instinct, which is consciously lived out and celebrated in the performance. >
The performance Playfight invites you to take a new look at our play instinct, which is consciously lived out and celebrated in the performance. >
About micro/moments of exclusion in gestures, sentences or looks.
About micro/moments of exclusion in gestures, sentences or looks.
© Franziska Doffin / Mariana RomagnaniDance piece for young audiences "Um wieder anzufangen" (To start again) deals with the power of play.
© Franziska Doffin / Mariana RomagnaniDance piece for young audiences "Um wieder anzufangen" (To start again) deals with the power of play.
© Franziska Doffin / Mariana RomagnaniDance piece for young audiences "Um wieder anzufangen" (To start again) deals with the power of play.
About the unavailability of the sick body and the unpredictability of one's own presence.
About the unavailability of the sick body and the unpredictability of one's own presence.
Filipe Fizkal presents his work "Bin Landschaft" as part of the Potsdam Dance Days
Vera Shchelkina presents "Ich bezeuge das alles zum letzten Mal" as part of the Potsdam Dance Days
Zsombor Szabo presents "Rhinoceros" as part of the Potsdam Dance Days
Filipe Fizkal presents his work "Bin Landschaft" as part of the Potsdam Dance Days
Vera Shchelkina presents "Ich bezeuge das alles zum letzten Mal" as part of the Potsdam Dance Days
Diana Thielen presents "Graben" as part of the Potsdam Dance Days
Zsombor Szabo presents "Rhinoceros" as part of the Potsdam Dance Days
As part of the Potsdam Dance Days, Johanna Jörns presents 'Aus dem Auge, in den Sinn'
Diana Thielen presents "Graben" as part of the Potsdam Dance Days
As part of the Potsdam Dance Days, Johanna Jörns presents 'Aus dem Auge, in den Sinn'
Video installation maChoreographie
LED's dance!
© Wanda GolonkaThe exhibition is from 1st June to the 25th June 2024.
Video installation maChoreographie
LED's dance!
© Wanda GolonkaThe exhibition is from 1st June to the 25th June 2024.
Video installation maChoreographie
LED's dance!
© Wanda GolonkaThe exhibition is from 1st June to the 25th June 2024.
Immensity is a haptic strategy, an instant, a manifesto...
Immensity is a haptic strategy, an instant, a manifesto...
Video installation maChoreographie
LED's dance!
© Wanda GolonkaThe exhibition is from 1st June to the 25th June 2024.
Video installation maChoreographie
LED's dance!
© Wanda GolonkaThe exhibition is from 1st June to the 25th June 2024.
A travelling choreography in the city of Gmunden.
A travelling choreography in the city of Gmunden.
A travelling choreography in the city of Gmunden.
La Madriguera / Der Bau is a choreographic and performative collage - grotesque accumulations of bodies.
La Madriguera / Der Bau is a choreographic and performative collage - grotesque accumulations of bodies.
X Ê R investigates voice in language, identity, and the body.
X Ê R investigates voice in language, identity, and the body.
A performance project that focuses on the fragility of the body and its transformative potential.
A performance project that focuses on the fragility of the body and its transformative potential.
The MA Choreography students develop their final projects during the last semester of their master’s program and present them to the public. >
The MA Choreography students develop their final projects during the last semester of their master’s program and present them to the public. >
In Outside Inside, bodies embark on a search and wander between the outside and the inside.
In Outside Inside, bodies embark on a search and wander between the outside and the inside.
Vera Shchelkina
Everyone here is a bit of a horse
© [Translate to English:] This piece resists to become human, whatever forms it takes.
Vera Shchelkina
Everyone here is a bit of a horse
© [Translate to English:] This piece resists to become human, whatever forms it takes.
MANNA moves between glacial melt and birth chamber, between laboratory and ritual.
MANNA moves between glacial melt and birth chamber, between laboratory and ritual.
How a lack of empathy creates an endless loop of frustration.
How a lack of empathy creates an endless loop of frustration.
© [Translate to English:] Johannes SchuchardtDespite exhaustion. Despite doubt. Despite everything.
© [Translate to English:] Johannes SchuchardtDespite exhaustion. Despite doubt. Despite everything.
© [Translate to English:] Workshop Spiel und Objekt / Choreographie © HfS© [Translate to English:] Workshop Spiel und Objekt / Choreographie © HfS© [Translate to English:] Workshop Spiel und Objekt / Choreographie © HfS
Choreographic research on scientific object cultures
Two weekends featuring six choreographies (Space 1)
Two weekends featuring six choreographies (Space 1)
Two weekends featuring six choreographies (Space 2)
Two weekends featuring six choreographies (Space 2)