MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA - 301 Artistic Research Presentations

MA SODA - 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA - 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA - 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

MA SODA – 301 Artistic Research Presentations

How can I begin to tear apart complex intertwined colonial relationships? By beginning.

Belly Talks is a work-in-progress conversation between my grandmother Ümral and I.

How can I begin to tear apart complex intertwined colonial relationships? By beginning.

Questioning how my artistic practice could be more "sustainable"; and how to generate other possibilities or ways of relating to people within my dance >

How can one's own experience of rape be located between the taboo and pornographisation of the subject?

Questioning how my artistic practice could be more "sustainable"; and how to generate other possibilities or ways of relating to people within my dance >

“What is the temperature that the Hen and the eggs share? what if they need warmth, but I need cold?”

A performative investigation into the 1974 novella "The Lost Honour of Katharina Blum". How do language and its weaponizations operate, in Katharina Blum >

A body moves between soil and stage, repeating gestures of labor, survival, and performance. What connects the farmhand and the stripper?  >

This unchartered tongue is a tongue within a tongue – a language no longer feels maternal.

A ritual of drag, a de-orientalist and political witnessing of aestheticized violence in public life.

It’s a rite of grieving for the living creatures, an embodied poem of death and hope.

An encounter between the Uferstudios and war-zones thousands kilometers away, inviting collective reflection on the fragile border between war and peace. >

This is a study of trial and error that explores the spatial practices of body, image, and sound.

i look for you my little since you slipped back under my bed come visit me again my sweet sweet i am boring myself to sleep  >

In the theatre, to understudy (replace/cover) is to learn the role of another performer. Practicing from the corner of the studio, they rehearse  >

Someone will introduce you to what is yet to come. They’re not the only one in charge. They investigate on some morbid experiments of the past  >

“I read somewhere, I mean, I saw it on Instagram.”

The room is caught between catastrophe and suspension. People begin watching themselves watching.

Welcome to a residual recording of touch, an affective dismantling. Situated in technical collapse, grief, possibility, and ceremony.  >

A table, a speech, a trial, a condemnation, a duel, a fencing match, a ballet, a trap, a ceremony, a baptism, an humiliation, a sabotage...  >